The Amiri Baraka Film Archive, and other quick updates


I was honored to have my essay “The Baraka Film Archive: The Lost, Unmade, and Unseen Film Work of LeRoi Jones/Amiri Baraka” included in the most recent issue of Black Camera, a scholarly journal I really love and admire. It’s a piece that builds on some of the collaborative work I had participated in last year, bringing Baraka’s previously-lost 1968 documentary The New-Ark to Rutgers-Newark (which I also wrote about here, to complete the link-orgy). Continue reading